When photographing slide film, experiment first with the Flat Picture Control.
#Digital slide converter for mac manual
Try Keep white (reduce warm colors) first, switching to Preset manual if you aren’t satisfied with the result. Keep white (reduce warm colors) may not however have the desired results if the slide is dominated by a single color (as when the subject is a blue sky or a green field) better results can often be achieved by selecting Preset manual and measuring white balance without the slide inserted. Turning first to white balance, choose Keep white (reduce warm colors) for slides featuring subjects that vary widely in color and brightness. Metering: Matrix metering or Highlight-weighted metering White Balance White balance: Keep white (reduce warm colors)
The description that follows provides settings for recording JPEG or TIFF pictures for immediate use. Exposure must however be tuned before shooting, regardless of the option selected for image quality. Choosing NEF (RAW) format lets you use NEF (RAW) processing for precise adjustments to white balance and Picture Controls after shooting. Effective use can also be made of white balance in compensating for the light source. Colors and tones can be regulated using Picture Controls, and exposure modified appropriately by adjustments to metering mode and exposure compensation. Given that your subject is a finished photograph, it is important that settings be adjusted so that its colors and tones can accurately be converted to digital. Unmounted slide film can be inserted into the FH‑4.Īfter removing dust and lint from the film with a blower, insert the holder into the ES‑2 holder insertion slot. Mounted slides can be inserted into the FH‑5 slide mount holder. The biggest difference between slide film and most other subjects is that the colors and tones have already been adjusted to create a finished work. Photographing slide film is basically run-of-the-mill macro photography, differing only in that the subject is a frame of film, so you need only take the same care that you would in accurately photographing any other small object. In addition to the D850, you’ll need a 60mm Micro NIKKOR lens or 40mm Micro NIKKOR lens for full-frame shots of 35mm film and an ES‑2 film digitizing adapter to hold the film in place in front of the lens.įH‑5 slide mount holder. Note that pictures taken using the negative digitizer will be recorded in JPEG Fine★ format regardless of the option selected for Image quality. The D850’s negative digitizer feature uses in-camera processing to generate correctly-colored positives by reversing the colors in the photos of film negatives. While technically photographing film with a digital camera is all that needs to be done to digitize film, the image processing needed to create correctly-colored positives has proven difficult, particularly in the case of negative film, which has an orange base. The demand for digitizing film comes not only from hobbyists and photographers with large image collections that were captured on film, but also from young photographers enjoying the recent boom in taking photos using film cameras and having the results digitized at a photo lab.
In the past, a film scanner was commonly used to scan in negatives and slides, however with the introduction of high-resolution digital cameras like the D850 DSLR, you can now produce a digitized copy of your 35mm negatives or slides using the D850 and the ES-2 Negative Digitizer. The ES‑2 can be used with both strip film and mounted slides.ĭigitizing film is the process of creating digital data from the image information found in photographic film.
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